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Starting from the conviction that Latin literature gains from being viewed as performance, the author sees the creation of different characters or ‘masks’ in Latin literature as a result of the Greco-Roman training in rhetoric. She treats the texts of Roman satire as drama and focuses on the characters whose voices are heared in these performances: the angry satirist, the mocking satirist and the smiling satirist. She goes on to explore the implications of the use of these ‘masks’ for authors and audiences of satire.
